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At parties, flappers often sported hair ornaments, gem and feather headpieces called aigrettes (so named after the bird).

The glinting fringe and feathers were accessorized with arms of bangle bracelets and tassel styles, such as the tassel earrings of smooth, rustling tanzanite or tsavorite beads in the Tiffany Blue Book.Īdvances in machinery in the 1920s introduced the baguette, a precise narrow rectangular gemstone cut, and the lapidary style suited the Art Deco jewellery aesthetic, with its sequenced diagonals and chevrons. Jewellery trends not only matched that sense of abandon, they contributed to it. The flapper era had a spirit of reckless euphoria, whether dancing with abandon or watching cabarets like Florenz Ziegfeld’s daring revue of scantily clad chorines. “Pearls are beautiful and unique and have a rare quality’ “I think we really found kindred spirits,” he said, “for our own attention to detail and our curiosity not only about history but about how to bring history forward and make it modern.” ‘As jewellers we share the frustration that pearls are underrated,” King said. I chatted with Tiffany’s executive vice-president Jon King earlier in the day about how Martin’s passion for design was both infectious and inspiring. It was a symmetry of Champagne coupe towers and sweeping staircases, the elements of a grand MGM musical set.

In another, a streamlined diamond pendant earrings and necklace set, the elongated silhouette features pear-shaped tsavorites in that same radiant green hue that recalls the symbolic light at the end of Daisy ’s dock.Ĭlustered on a banquette near director Baz Luhrmann and designer Martin (who is also his wife) were several of today’s it girls: Gwyneth Paltrow, Michelle Williams, Sarah Jessica Parker and the film’s star, Carey Mulligan. In one creation, a rare green diamond nestles among 27 rose-cut white diamond petals on a ring, each individually attached with fine platinum wire to achieve the en tremblant effect (meaning, they move).

Guests in flapper-inspired garb lingered at the vitrines displaying the Blue Book’s Jazz Age-inspired pieces. The Blue Book began in 1845 as Tiffany’s mail-order catalogue but is now an annual collection of about 200 completely new and original pieces, each designed around the themes of a particular period in New York design, craftsmanship techniques and of important gemstone - fine diamonds and Tiffany legacy gemstones, such as the tanzanite, tsavorite, kunzite and morganite that the company discovered and made famous. This advertisement has not loaded yet, but your article continues below.

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